The one time she raises a hand to her oppressors, she’s utterly incompetent and has to be rescued by Westley, as she is at every turn-protected from flames in the “fire swamp,” pulled from a pit of “lightning sand,” protected from the ROUSes (rodents of unusual size). To begin with, its title character-the princess Buttercup (Robin Wright), who wants to marry a commoner named Westley (Elwes) but is betrothed to the evil Prince Humperdinck (Chris Sarandon)-is written and directed, for the most part, like a sack of gold rather than a sentient person. Much about it is rooted in the dated standards of its times and, thus, is ripe for reimagination. In the case of “The Princess Bride,” which is based on William Goldman’s adaptation of his own novel, I’d say that the door is wide open-not least because it’s far from a perfect movie. That’s why I’d like to make a modest proposal to the film industry in response to the “Princess Bride” outcry: namely, remake everything, or, at least, anything, and see whether a filmmaker, a screenwriter, a producer, and a group of actors have the insight and the imagination to meet the challenges and the inspirations of the classics. They are wrong, of course, but their critical delusions don’t prevent anyone from enjoying the originals. There are people who think that Jim McBride’s 1983 remake of “Breathless” is better than the original some viewers find Brian De Palma’s 1983 “Scarface” superior to Howard Hawks’s 1932 version. It seems self-evident that no film is literally damaged by a remake-and that if any damage results it’s of a psychological, not a cinematic, nature. Among the most over-the-top of the fretters, for instance, was the movie’s co-star Cary Elwes, who tweeted this riff on one of the movie’s famous lines: “There’s a shortage of perfect movies in this world. It’s a good thing portraying “House of Cards’” Claire Underwood involves plenty of dirty work.Judging by the outcry from Hollywood stars over a Sony executive’s vaguely floated notion this week of remaking “The Princess Bride,” you’d think that the idea wasn’t to make a new film but to alter or destroy Rob Reiner’s 1987 original. … I’d rather go work at a menial labor job, where I can actually get my hands dirty.” “If there’s nothing for me to do as an actress, that’s frustrating. “Hollywood is difficult to navigate if you have integrity, so I opted not to work if there wasn’t enough to do in a role, which doesn’t have to do with the role’s size,” she says. Part of that ambivalence might have something to do with the roles she’s been offered if the main duty was just to stand and be pretty, Wright says she’s had no problem passing them up. You’re sitting around knowing how a scene should be blocked or the direction an actor should be given, and biting your tongue,” Wright tells the magazine. “I’ve been in this business almost 30 years, and I’m such a control freak. In the second season of “House of Cards,” she makes her directorial debut in the 10th episode. Wright’s come a long way since her days playing princess, and she now co-stars with Kevin Spacey in Netflix’s praised “House of Cards.” Although fans – and critics – love her as the calculating wife of Spacey’s politician, Frank Underwood, Wright has begun to enjoy working behind the camera more. It was mostly telling myself, ‘Don’t be an idiot in front of Mandy Patinkin and Christopher Guest.’ “ “It was my first film experience, and so you might say that I fully immersed myself in the role,” Wright tells Town and Country. At the very least, she got to have an on-screen happy ending with the actor in the cult favorite film, which tells the story of Princess Buttercup’s longing to reunite with her true love, Elwes’ “As you wish” Westley.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |